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John William Waterhouse Miranda-The Tempest mk58
1916
oil on canvas
100.4x137.8cm
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John William Waterhouse Tristram and Isolde mk58
1916
oil on canvas
107.5x81.5cm
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John William Waterhouse Sketch fro The Love Philtre mk58
c.1913-14
oil on canvas
58.4x45.7cm
Kelley Gallery,Pasadena,California
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John William Waterhouse The Enchanted Garden mk58
1916-17
oil on canvas
115.5x160cm
Lady Lever Art Gallery,Port Sunlight
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John William Waterhouse A Tale from the Decameron mk58
1916
oil on canvas
101x159cm
Lady Lever Art Gallery,Port Sunlight
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John William Waterhouse The Enchanted Garden mk58
1915-16
oil on canvas
mounted on board
35.2x50.5cm
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John William Waterhouse Dante and Beatrice mk58
c.1914-17
oil on canvas
mounted on wood
49.5x62.2cm
Dahesh Museum of Art ,
New York
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John William Waterhouse The Mystic Wood mk58
c.1914-17
oil on canvas
98x146.2cm
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John William Waterhouse La Belle Dame sans Merci 1893
oil on canvas 110.5 x 81 cm
(43 1/2 x 32 in)
Hessisches Landesmuseum,Darmstadt (mk63)
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John William Waterhouse The Crystal Ball mk221
1902
Oil on canvas
120.7x78.7cm
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John William Waterhouse A Song of Springtime mk221
1913
Oil on canvas
72x92cm
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John William Waterhouse Hylas and the Water Nymphs mk231
Oil on canvas
1896
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John William Waterhouse The Lady of Shalott mk231
1894
Oil on cnvas
120.5x68.3cm
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John William Waterhouse Undine Undine
1872
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John William Waterhouse Gone, But Not Forgotten Gone, But Not Forgotten
1873
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John William Waterhouse A Street Scene in Cairo The Unwelcome Companion--A Street Scene in Cairo
1873
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John William Waterhouse La Fileuse La Fileuse
1874
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John William Waterhouse In the Peristyle In the Peristyle
1874
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John William Waterhouse Miranda Miranda
1875
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John William Waterhouse A Sick Child brought into the Temple of Aesculapius A Sick Child brought into the Temple of Aesculapius
1877
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John William Waterhouse
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English Pre-Raphaelite Painter, 1849-1917
English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.
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